Sebastian Lloyd Rees
Education
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2007
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Goldsmiths University, London, B.A Fine Art
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Solo and Two-person Exhibitions
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2020
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Frieze Art Fair, with Eva LeWitt, presented by VI, VII, London
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2019
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Works on Paper, VI,VII, Oslo
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2018
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Vacant Lots, mother’s tankstation, London
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2015
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…alarming…invasive…a violation…lawless…disrespectful…, mother’s tankstation, Dublin
Vendor, Room East, New York
Numberless Crowded Streets, High Growth of Iron, Slender, Strong, Light, Splendidly Uprising Towards
Clear Skies, Room East, New York
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Group Exhibitions
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2017
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A Rising Tide Lifts All Boats, Union Pacific, London
Absent Bodies, OSL Contemporary, Oslo
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2016
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Morning Uber, evening oscillators, Seventeen Gallery, London
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2015
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L’albero della cuccagna, Fondazione Sandretto Re Rebaudengo, Turin
Open Source: Art at the Eclipse of Capitalism, Galerie Max Hetzler, Berlin
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2014
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Bunkering in Paradise: The Rest Of Us Just Live In It, Artuner, Turin
Abnormcore, Room East, New York
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Bibliography
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2017
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Line Ulekleiv, Det roffe handlaget, Klassekampen, February 2017
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2016
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Joseph Murphy, Review: …alarming …invasive …a violation …lawless …disrespectful, Shower of Kunst, June 2016
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2015
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Orit Gat, Sebastian Lloyd Rees, Vendor, Room East, Art Review, May 2015
William Kherbek, New York City Now: art and the urban environment, part II, Port Magazine #16, April 2015
Rafferty, Penny Victoria, ‘Capitalism, Eclipsed at Max Hetzler’, sleek, March 2015
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Selected Exhibitions And Projects With Lloyd Corporation
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2018
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Local to Global, Carlos/Ishikawa, London
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2017
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Driftwood, or how we surfaced through currents, Fondazione Prada, Athens
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2016
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From DADA to TA-DA!, Fisher Parrish Gallery, New York
Developing Landscapes, Pump house Gallery, London
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2014
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MIRRORCITY, Hayward Gallery, London
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Flow, Peles Empire, London
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2012
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An Idea Once but no longer Fulfilling, Four Boxes Gallery, Denmark
When People Are Silent Stones Speak, Green is Gold, Copenhagen
Loading Spaces, Brickhouse Darbyshire Incarnation 5, Site Festival, Stroud, UK
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2011
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Connect. Conjugate. Continue, Carlos/Ishikawa, London
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Selected Bibliography Lloyd Corporation
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2020
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Sophie Ruigrok, What To See at Condo London 2020, Frieze Critics’ Guide, January 2020
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2017
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Rebekah Modrak, A Curatorial intervention on ebay, Maize Books
Rebellious Concepts, Sleek Magazine, October 2017
Alexandra Manatakis, This Frieze shows asks why the world makes so much shit, Dazed & Confused, October 2017
Marialuara Ghidini, Exstrange, Journal of Curatorial Studies, Vol 6 Number 1
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2016
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Francesca Gavin, Hilary Clinton’s emails are going on display at Frieze, Dazed & Confused, October 2016
Editorial, The Art Newspaper, Hacking Hillary’s email, The Art Newspaper, October 2016
Editorial, The Art Newspaper, Carlos/Ishikawa and Frieze Live, The Art Newspaper, October 2016
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2013
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Michele D’Aurizio, Meet Lloyd Corporation, Kaleidoscope, July 2013
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2012
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Simen Joachim Helsvig, When People are Silent Stones Speak, Kopenhagen Magasin, August 2012
Michael Archer, Lloyd Corporation, Artforum, January 2012
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2011
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Rebecca Geldard, Lloyd Corporation: Connect. Conjugate. Continue, Time Out, October 2011
William Kherbek, Connect. Conjugate. Continue, review, The Playground, September 2011
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Publications
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2016
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Lloyd Corporation, The World For Less, Office for Contemporary Art Norway, Carlos/Ishikawa
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2014
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Tom McCarthy, Mirror City, Hayward Gallery
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2013
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Lloyd Corporation, Competing Temporalities, Carlos/Ishikawa
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2012
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Lloyd Corporation, Archéologies Contemporaines, Musée du château des ducs de Wurtemberg
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Lloyd Corporation, Loading Spaces, Brickhouse Darbyshire Incarnation 5, Site Festival
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2011
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Lloyd Corporation, The Logic of Ruin Value’ produced on the occasion of ‘Connect. Conjugate. Continue, Carlos/ Ishikawa
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